Ervin Lázár is the creator of a genre we may safely call
Central European folk surrealism, which takes on the quality of a
hallucinatory exploration into that part of the soul where beauty, hope,
and yearning live in close proximity with the harsh realities of life.
The novella approaches its subject matter so delicately that only at its close can the reader know for certain whether the author has indeed seen the naked body of a woman. Well, we will disclose this here, he has.
In circles where the knowledge and repetition of certain Jewish jokes and the strict tabooing of others means a ritual reinforcing of community, irrespective of the participants’ identity, you can in effect tell any kind of Gypsy jokes without the risk of scandalizing anyone.