When renowned film director Péter Gárdos wrote the story, he intended it as a film script, but eventually he made it into a novel. “Fever at Dawn,” the love story of two Holocaust survivors―the author’s parents―has ever since sold in more than 20 territories.
The novella approaches its subject matter so delicately that only at its close can the reader know for certain whether the author has indeed seen the naked body of a woman. Well, we will disclose this here, he has.
Literary historian Thomas Cooper talks to Imre Kertész in this new
volume published in the Seagull Books series of The University of
Chicago Press. An excerpt from the interview and Cooper's fine
introductory essay, published here by courtesy of the publisher.
9 kilos is Zsuzsa Selyem's first fictional work. It is an experimental novel based on the structure of Psalm 119, in various styles – from minimalistic dialogues to theoretical passages – and told by several narrators in search for connections between the episodes of a story happening in the 90s in the squares of post-communist East European cities.
This year's Budapest Film Week, the major event of Hungarian filmmakers, was again rich in literary adaptations. A feature by director Zoltán Kamondi, Dolina, was based on Ádám Bodor's 1999 novel, The Visit of the Archbishop.