Ervin Lázár is the creator of a genre we may safely call
Central European folk surrealism, which takes on the quality of a
hallucinatory exploration into that part of the soul where beauty, hope,
and yearning live in close proximity with the harsh realities of life.
Blood-sucker and tale-teller: Noémi Szécsi’s latter-day vampire girl is a combination of the eastern European and the Indian vampire. - Ottilie Mulzet's review on The Finno-Ugrian Vampire, recently published in English.
György Spiró’s new novel Captivity (Fogság), the Hungarian literary sensation of the year, is a reconstruction of the period from around the death of Christ until the Jewish War. Uri, the protagonist of the novel, is selected to be a member of the delegation that takes the Pesach tax of Roman Jews to Jerusalem. Through his adventures we get an extremely lively picture of contemporary Rome, Jerusalem and Alexandria. – An interview with the author by Erika Csontos.
Sándor Tar's prose is considered by the many as the best depiction of
the human cost of the years just following the change in regime of 1989.
His best known collection of short stories which most critics and
readers consider a novel, Our Street (1995), presents the lives of people living in a street at the far end of a small town.
Márai is easy to translate. What I mean to say is that he gives himself to you and invites you to enjoy the clear rhetorical circling of his prose as he uncovers layer after layer of motivation. He is all burning curiosity tempered by patience.