How can one, in spite of all the doubts and technical obstacles, tell the story of someone growing up in Budapest and its surroundings during the 60s and the 70s? How can one create a classically structured story with the help of modern and even postmodern techniques?
"If for several centuries we all have to be jointly and uniformly silent about the body, this means that we need to be silent about a number of other ramifications, too. This means we expose ourselves to some truly dangerous things."
"As the pigeon-in-underwear – which is what I had called him – came closer, I stooped down to get a better look. And indeed, between its legs there really was some kind of filmy material, which, when the bird was in flight, hung down from the chafed leg. I waited motionless for the pigeon to come closer: the material was a hairnet."