When renowned film director Péter Gárdos wrote the story, he intended it as a film script, but eventually he made it into a novel. “Fever at Dawn,” the love story of two Holocaust survivors―the author’s parents―has ever since sold in more than 20 territories.
In Géza Ottlik’s sparse oeuvre the posthumously published "novel" Buda claims a most special place. Appearing three years after the author’s death, Buda was not quite the long-awaited sequel to School at the Frontier (1959), his only other novel, considered by many as his major work. Yet Buda, fragmentary as it stands, is far more than a sequel. Buda stands free, an arbor vitae, Ottlik’s true monument.
Waiting for the arrival of Christmas, hoping for tender and quiet
touches, trusting in the abatement of our great battles of life, we are
trudging towards the manger with Ady's snow-covered Christ-cross in the
- Lajos Jánossy's choice.
Already for a decade now, with the everyday normalization of internet usage, and the dynamic cohabitation of the “digital natives,” “digital immigrants,” and (for a lack of better term) “outsiders,” the literary scene goes full spectrum, with various examples in between.