Ervin Lázár is the creator of a genre we may safely call
Central European folk surrealism, which takes on the quality of a
hallucinatory exploration into that part of the soul where beauty, hope,
and yearning live in close proximity with the harsh realities of life.
Oravecz records the history of the disintegration of rural culture as though he was retelling the myth of Atlantis. The Ditch of Ondrok is a three-generation story taking place in a Hungarian village, spanning from a grandfather who had fought in the liberation war of 1848 to a grandson who had emigrated to America just before the turn of the century.
Andreï Makine, Russian by birth but writing in French, was one of the
participants at the Budapest Book Festival in April 2011. In a talk organized at the
festival, Makine told his audience about his new book, Alternaissance,
published under the pseudonym of Gabriel Osmonde.
This paper examines reader's reports in the archives of a Hungarian publishing house, and provides a glimpse into the elaborate ritual of tacit negotiations and the exercise of self-censorship in the Kádár era.