When renowned film director Péter Gárdos wrote the story, he intended it as a film script, but eventually he made it into a novel. “Fever at Dawn,” the love story of two Holocaust survivors―the author’s parents―has ever since sold in more than 20 territories.
The mixture of fantastical elements and the ordinary events of a small village makes the prose of Margit Halász a true gem of magical realism. "Singing River" proves that the provincial milieu can indeed be a contemporary and actual topic in 21st century fiction.
Literary historian Thomas Cooper talks to Imre Kertész in this new
volume published in the Seagull Books series of The University of
Chicago Press. An excerpt from the interview and Cooper's fine
introductory essay, published here by courtesy of the publisher.
Of course, Lipót Braun was right when he said that what is lost is lost forever. But (and it’s just that): what does it mean to lose something? Does it mean that it has disappeared and is no more, that it was swallowed by the earth; or does it only mean that we don’t see it any longer? And if we don’t see it, do we even miss it?
The commander of the death-squad personally responsible for the murder of Miklós Radnóti – perhaps the greatest poet of the Holocaust well known in English translation – escaped retribution for the deed. His remains rest in official burial grounds reserved for the heroes of the Hungarian Republic.