Ervin Lázár is the creator of a genre we may safely call
Central European folk surrealism, which takes on the quality of a
hallucinatory exploration into that part of the soul where beauty, hope,
and yearning live in close proximity with the harsh realities of life.
Fehér’s novel contains all of the elements characteristic of Hungarian society and culture at the time of the regime change. What emerges is the often-mentioned image of a cobbled-together Hungary, complete with a motley, lurching collection of objects and people.
"The stuff of this novel is closer to an anthropological or ethical description – it is more attuned to answering the question 'what sort of a being is man?' And in answering this it will treat other people’s opinions and beliefs as simple raw material, just as a doctor who gives a person an anaesthetic and does not take into account their sensitivities in other walks of life or worry about their nakedness."
Sándor Tar's prose is considered by the many as the best depiction of
the human cost of the years just following the change in regime of 1989.
His best known collection of short stories which most critics and
readers consider a novel, Our Street (1995), presents the lives of people living in a street at the far end of a small town.
In circles where the knowledge and repetition of certain Jewish jokes and the strict tabooing of others means a ritual reinforcing of community, irrespective of the participants’ identity, you can in effect tell any kind of Gypsy jokes without the risk of scandalizing anyone.