When renowned film director Péter Gárdos wrote the story, he intended it as a film script, but eventually he made it into a novel. “Fever at Dawn,” the love story of two Holocaust survivors―the author’s parents―has ever since sold in more than 20 territories.
Just as the author oscillates from his beloved cities, Budapest and Berlin, to the city of his imagination, Kandor, and then back again to a stone cottage located on a windswept plateau, his works also swing from literary prose to nouveau roman, only to return once more to essays and sociological observations.
One of the most acclaimed representatives of francophone literature,
Agota Kristof was awarded the most prestigious Hungarian state prize. When she
visited Hungary last year, she thought she would never come back again,
but now she came to take the award. We talked to Agota Kristof in Budapest.
Gábor T. Szántó (1966) belongs to the third generation of postwar Jewish Hungarian writers, who came of age after the period of silence about Jewishness that characterized the experience of their parents' generation.
Halász' theatre was a non-imitational one. He never wanted, nor was he able, to pretend that he is someone else but himself. His theatre was born out of an inner freedom, not hard work, not something that can be regulated, rehearsed and repeated.