Ervin Lázár is the creator of a genre we may safely call
Central European folk surrealism, which takes on the quality of a
hallucinatory exploration into that part of the soul where beauty, hope,
and yearning live in close proximity with the harsh realities of life.
Accurate, succinct, and at the same time rich in detail, a shrewd but not cold analysis, elegant, distant, but not dispassionate, ironic, but not sarcastic – this portrait, and part autobiography, is a triumph of proportion and good taste. But most of all it is touching. And beautiful.
"The society, it seems to me, invented the Kádár era long before Kádár
and company realized this. The tragic fact is that many people were
executed in order to intimidate the society when all the regime should
have done is to make a compromise." - We talked to György Spiró, the author of Spring Collection, about 1956 and the power games of the early Kádár era.
"Out of all the hundreds of cadets either plowing ahead of us, trailing behind us or plodding along with us during those long years of military school, only one single boy was ever called a 'bad apple'. I can even remember his name. It was Apagyi."
Viktor Bodó claims to have used György Petri's translation of Molière's Don Juan for his new production staged in the Katona József Theatre, The Great Sganarelle and Co. Yet it seems as though Don Juan merely provided the original inspiration for Viktor Bodó to set about transplanting this mythic figure to a modern urban setting.