Just on its title alone many Hungarian readers in 1976 (and since) must have been puzzled by László Fábián's first short novel, an astonishingly rich growing-of-age tale, told in a persuasively poetic manner.
Overwhelming; gut-wrenching; the most significant Hungarian novel of the year, of the decade―Szilárd Borbély’s The Dispossessed, a powerful novel about soul-wracking poverty in a Hungarian village in the 1960s and 70s, has earned such and similar praise.
"There are some who love like the hare lost on the motorway, entrapped in spotlights. / There are some who love like the lion that tears apart what it desires. / There are some who love like the pilot loves the town on which he drops his bombs. / There are some who love like the radar that directs planes in the air."
Béla Tarr's first feature film since Werckmeister Harmonies (2000) is based on a mystery novel by Georges Simenon, but it is no ordinary crime story. The mystery is not the identity of the robbers and murderers, but what takes place in people’s hearts.