When renowned film director Péter Gárdos wrote the story, he intended it as a film script, but eventually he made it into a novel. “Fever at Dawn,” the love story of two Holocaust survivors―the author’s parents―has ever since sold in more than 20 territories.
“Towards the One & Only Metaphor” begins with Szentkuthy stating that he can take nothing else as his introductory precept or desire but “the aim of wild, absolute imitation.” What, then, we are compelled to ask, is being imitated?
Andreï Makine, Russian by birth but writing in French, was one of the
participants at the Budapest Book Festival in April 2011. In a talk organized at the
festival, Makine told his audience about his new book, Alternaissance,
published under the pseudonym of Gabriel Osmonde.