Ervin Lázár is the creator of a genre we may safely call
Central European folk surrealism, which takes on the quality of a
hallucinatory exploration into that part of the soul where beauty, hope,
and yearning live in close proximity with the harsh realities of life.
In Géza Ottlik’s sparse oeuvre the posthumously published "novel" Buda claims a most special place. Appearing three years after the author’s death, Buda was not quite the long-awaited sequel to School at the Frontier (1959), his only other novel, considered by many as his major work. Yet Buda, fragmentary as it stands, is far more than a sequel. Buda stands free, an arbor vitae, Ottlik’s true monument.
"The society, it seems to me, invented the Kádár era long before Kádár
and company realized this. The tragic fact is that many people were
executed in order to intimidate the society when all the regime should
have done is to make a compromise." - We talked to György Spiró, the author of Spring Collection, about 1956 and the power games of the early Kádár era.
The Word becomes mortal and vulnerable when it is made flesh. The poem
stutters when it talks about body. Through individual stories of
suffering and philosophical odes, Szilárd Borbély’s volume, To the Body, tests the divine and the poetic word against the human experience of existing in a body.
Imre Oravecz's new novel, Californian Quail takes the reader into the world of Eastern European guest workers in the United States at the beginning of the 20th century. The author spoke about the traumas and the predicament of Hungarian workers in America at a press breakfast in Budapest.