Ervin Lázár is the creator of a genre we may safely call
Central European folk surrealism, which takes on the quality of a
hallucinatory exploration into that part of the soul where beauty, hope,
and yearning live in close proximity with the harsh realities of life.
His talent is at its best when depicting the merciless cruelty of children, the brutality of adults, deprivation, fears arising from different roots and terror at large which is characteristic in all totalitarian systems.
"Politics is important, but it is not the most important thing in life. But since we can only skirt around the really important things, we tend to choose something that is less important but still important enough, and give our lives to it."
"As the pigeon-in-underwear – which is what I had called him – came closer, I stooped down to get a better look. And indeed, between its legs there really was some kind of filmy material, which, when the bird was in flight, hung down from the chafed leg. I waited motionless for the pigeon to come closer: the material was a hairnet."
The nationalist opposition was all over the media in an instant, declaring themselves to have been right all along in warning the voters throughout the election campaign that a secret network of ex-Communist, international bankers who are totally insensitive to the problems of the average Hungarian would take over the country if people elected a Socialist government.