Ervin Lázár is the creator of a genre we may safely call
Central European folk surrealism, which takes on the quality of a
hallucinatory exploration into that part of the soul where beauty, hope,
and yearning live in close proximity with the harsh realities of life.
"Either we meet death blind or we face it openly – it makes little practical difference. I prefer to face it, because this brings me a life which is more complete and, in the final balance, more joyful. You could say I am a hedonist, if you like."
Judit Kováts’s novel is written from the viewpoint of a 19-year-old girl during the Soviet occupation as she is trying to escape Russian soldiers, bombs and forced labour. How is oral history transformed into literature? – An interview with the author.
"GYŐZŐ: Pest, the big smoke, is full of labouring proles, / Juicy with gossip about us on the hill. / Down there the streets are cordoned off. Cops know / They need not cordon streets off up in Buda.
KÁLMÁN: I’m faintly aware of a sickening distant buzz: / Here we go again: they’re burning cars. / Here we go again: uproot that call-box. / Here we go again: the piercing sirens. / Here we go again: streets full of teargas."
To detest the sin and to love the sinner: this is how we can define the practice of love as recommended by the Gospel. Clearly, this also means that the attitude of the Pharisees is wrong in as much as they identify the sinner with the sin.