Ervin Lázár is the creator of a genre we may safely call
Central European folk surrealism, which takes on the quality of a
hallucinatory exploration into that part of the soul where beauty, hope,
and yearning live in close proximity with the harsh realities of life.
There are several authors today in Hungary who describe the erosion of the village way of life, which runs parallel to the destruction of the countryside. Some do it with the passionate tone of a prophet. Háy's voice in The Kid is that of quiet desperation.
"Politics is important, but it is not the most important thing in life. But since we can only skirt around the really important things, we tend to choose something that is less important but still important enough, and give our lives to it."
"...poultry know how to talk, and once they’ve set up roost in the run, they set about muttering quietly, disguised as clucking, you know, everyday things, sweetcorn, get along there, you see what I mean, son, everyday things like that, but if they have everyday things, matters to discuss, then surely they also have special, ceremonial, issues to agree on, too, it’s obvious, isn’t it?"
Writer-director-actor Béla Pintér occupies a unique role as impressario in Budapest's alternative theatre scene. His signature blend of music and movement, traditional and modern theatre techniques makes each of his one-act shows an unpredictable and memorable experience.