When renowned film director Péter Gárdos wrote the story, he intended it as a film script, but eventually he made it into a novel. “Fever at Dawn,” the love story of two Holocaust survivors―the author’s parents―has ever since sold in more than 20 territories.
Örkény brought something radically new to literature by creating fantastic realism, which appeared to be the only valid and viable formal solution to fit a reality that had turned completely fantastic and absurd. Behind each of the almost Dadaistic situations he depicts, we sense the workings of history.
In Budapest no literate person can grow up without some sense of the Krúdy mystique that still hovers in the air, and harks back to the latter-day, "peacetime" splendors of the Monarchy that evaporated, along with so very much else, around 1918.
Márai’s diary, begun in Budapest well before the gathering storm of Fascist Arrow-Cross occupation and the subsequent deadly seige, can certainly be read as the narrative of an internal emigration. - Ottilie Mulzet's essay on Márai and emigration.