Ervin Lázár is the creator of a genre we may safely call
Central European folk surrealism, which takes on the quality of a
hallucinatory exploration into that part of the soul where beauty, hope,
and yearning live in close proximity with the harsh realities of life.
Can someone define themselves freely? This is Kertész's great theme in this volume of essays. Collectivism, he states, far from being merely an aspect of totalitarian regimes, "is the most characteristic feature of the twentieth century… and it thoroughly sweeps away both the individual and individuality".
"I toyed with an idea that I – as a decent Christian – never entertained before: what if the central signifier of all the metaphors and concepts of Christianity was not a beautiful, young, healthy but tortured male body... but a female body." - An interview from 2011 with the recently deceased poet, Szilárd Borbély.
It’s not a bad idea for a man to get admitted to hospital a couple of
days before a revolution breaks out, stay in until it’s been quashed and
recuperate quietly at home during the ensuing purge. This way, fate
saves him from making bad decisions at critical moments. In fact, it
prevents him from making any kind of decisions at all...
The Hungarian language is isolated. The Hungarian language means death for world literature. To write poetry in Hungarian is galley slavery. The Hungarian language is exceptionally suitable for poetry.