Ervin Lázár is the creator of a genre we may safely call
Central European folk surrealism, which takes on the quality of a
hallucinatory exploration into that part of the soul where beauty, hope,
and yearning live in close proximity with the harsh realities of life.
Sensuality as a subject is becoming ever more impossible to bypass in Hungarian literature. More and more often one finds the body in the centre of literary representation and authors have no choice but to look for a language with which to describe erotic experiences which are, incidentally, known to resist classification.
"A big motivation for me in writing The Sisters Brothers was to do things you don't normally see in the
western genre. Typically, for example, the killers in a western are
nearly mute, and sort of stupid, or cruel. So I made my killer
protagonist a talkative, smart, poetic neurotic."
"And that is when I knew for sure what she was thinking: Father had died, he’d wasted away once and for all at one of the labour camps along that faraway canal that hooked up with the Danube, the Danube Canal, it was called."
We are witnessing a phase of ever more splendid blossoming in the field of children’s poetry in Hungary. One after the other, impressive works are appearing to the delight of readers young and not so young.