Ervin Lázár is the creator of a genre we may safely call
Central European folk surrealism, which takes on the quality of a
hallucinatory exploration into that part of the soul where beauty, hope,
and yearning live in close proximity with the harsh realities of life.
"The stuff of this novel is closer to an anthropological or ethical description – it is more attuned to answering the question 'what sort of a being is man?' And in answering this it will treat other people’s opinions and beliefs as simple raw material, just as a doctor who gives a person an anaesthetic and does not take into account their sensitivities in other walks of life or worry about their nakedness."
"And that is when I knew for sure what she was thinking: Father had died, he’d wasted away once and for all at one of the labour camps along that faraway canal that hooked up with the Danube, the Danube Canal, it was called."
With its objects and its environment, St Stephen's Park in Budapest encapsulates the ways in which recent history was monumentalised in Hungary by various ideologies. - This introductory essay is a fitting hors d'oeuvre to the essays revolving around cultural memory, edited by a team of scholars at Eötvös Loránd University, Budapest.