Ervin Lázár is the creator of a genre we may safely call
Central European folk surrealism, which takes on the quality of a
hallucinatory exploration into that part of the soul where beauty, hope,
and yearning live in close proximity with the harsh realities of life.
Just as the author oscillates from his beloved cities, Budapest and Berlin, to the city of his imagination, Kandor, and then back again to a stone cottage located on a windswept plateau, his works also swing from literary prose to nouveau roman, only to return once more to essays and sociological observations.
László Krasznahorkai is not a fashionable writer. He is marching directly against what the age is about: that literature should become part of the entertainment industry. He is failing to adapt smoothly to what is going on. This art is powerfully pitched against the intention to skim through life laughing or just sticking it out as best you can without taking any particular risk.
Viktor Bodó claims to have used György Petri's translation of Molière's Don Juan for his new production staged in the Katona József Theatre, The Great Sganarelle and Co. Yet it seems as though Don Juan merely provided the original inspiration for Viktor Bodó to set about transplanting this mythic figure to a modern urban setting.