When renowned film director Péter Gárdos wrote the story, he intended it as a film script, but eventually he made it into a novel. “Fever at Dawn,” the love story of two Holocaust survivors―the author’s parents―has ever since sold in more than 20 territories.
Imre Kertész was the topic of a panel discussion at a recent American Slavist conference in Toronto. A member of the audience expressed the opinion that to a committed American Jew like himself, Fatelessness is an artistically distinguished, even exquisite example of Jewish self-hate.
Doing justice to a writer or a book that I consider unique and valuable, and at the same time pitching the book as sellable on a market that tends to favour what Tim Parks has called the "dull new global novel" is not always an easy task. – Our interview with Ágnes Orzóy, foreign rights director of Magvető after London Book Fair.
"The tram came to a stop and I flung what was left of my Multi on the tracks opposite. To hell with Germanic tidiness; I was glad to live in Hungary, where, even if the day-to-day struggle for cash was all-consuming, at least I was free to compensate with such a cynical gesture knowing that others couldn’t care less, and that if they did care, most likely they were on my side; for we were all in the same creaky, splintered wooden boat." – Adventures of a New Jersey-born Hungarian American in post-socialist Hungary.
The plot of Casemates is based on the darkest moment of the 1956 Hungarian Revolution: the siege of the Communist Party Headquarters in Budapest. With the 50th anniversary of the revolution well nigh, this is no one's idea of a flattering, commemorative play. Rather, it is an excoriating piece of provocation.