When renowned film director Péter Gárdos wrote the story, he intended it as a film script, but eventually he made it into a novel. “Fever at Dawn,” the love story of two Holocaust survivors―the author’s parents―has ever since sold in more than 20 territories.
How can one, in spite of all the doubts and technical obstacles, tell the story of someone growing up in Budapest and its surroundings during the 60s and the 70s? How can one create a classically structured story with the help of modern and even postmodern techniques?
Our interview with Tomas Venclova, Lithuanian poet, essayist and
professor of literature at Yale University, on social and historical
parallels between Eastern European nations, on the notion of home and on
the special meaning of Hamlet in our region.
"...if I have a delusion, I am insane. But you just said that I am insane. In that case, my belief is not a delusion, but a correct idea. Therefore I have no delusion. Therefore I am not, after all, insane. It is only a delusion that I am insane; hence I have a delusion; hence I am insane; hence I am right; hence I am not insane." – Two sketches from the 1930s on the traps and paradoxes of psychiatry, translated by Thomas Szasz, the renowned antipsychiatrist.