When renowned film director Péter Gárdos wrote the story, he intended it as a film script, but eventually he made it into a novel. “Fever at Dawn,” the love story of two Holocaust survivors―the author’s parents―has ever since sold in more than 20 territories.
If God seems to have forsaken the family, does it mean he still pays attention? In Péter Esterházy’s new novel, "Simple Story Comma One Hundred Pages – the Mark Version," these and similar questions pile up on page after slowly drifting page.
Overwhelming; gut-wrenching; the most significant Hungarian novel of the year, of the decade―Szilárd Borbély’s The Dispossessed, a powerful novel about soul-wracking poverty in a Hungarian village in the 1960s and 70s, has earned such and similar praise.
Agáta Gordon is an emblematic figure of contemporary Hungarian
feminist and queer literature. The long poem "Trance-spiral" is a meditative
experimental piece, a descending torrent of fragmentative shards that
reflects on a wide range of issues from the bodily to the spiritual,
from technological to transcendent.
Nowadays things have got to a point where authors who cannot perform something special are not even invited to events anymore. Should writers be performing artists as well, or is it enough if they write good books, poet-novelist Orsolya Karafiáth asks.