When renowned film director Péter Gárdos wrote the story, he intended it as a film script, but eventually he made it into a novel. “Fever at Dawn,” the love story of two Holocaust survivors―the author’s parents―has ever since sold in more than 20 territories.
Závada is intrigued by the question of individual and collective responsibility in the events of the twentieth century, and the narrative form he uses makes his novel a real novelty: letting different groups of narrators speak seems to be the proper form for verbalizing all the possible questions the twentieth century raised in terms of collective responsibility.
In Budapest no literate person can grow up without some sense of the Krúdy mystique that still hovers in the air, and harks back to the latter-day, "peacetime" splendors of the Monarchy that evaporated, along with so very much else, around 1918.
"How could a poet defend himself against physicians of the body and
their henchmen, the nurses?" - An excerpt from Gyula Krúdy's 1931 novel,
to be published by Corvina, Budapest in 2013 in John Batki's