Ervin Lázár is the creator of a genre we may safely call
Central European folk surrealism, which takes on the quality of a
hallucinatory exploration into that part of the soul where beauty, hope,
and yearning live in close proximity with the harsh realities of life.
It doesn’t take much for a classical literary work to be overlooked—what then are the chances of an overlooked classic ever being rediscovered? - Our review on Sándor Szathmári’s masterpiece Voyage to Kazohinia (1941), now published in English by New Europe Books.
He gave his counter-argument, but it was sketchy and sweaty and desperate and above all: angry. The hush that followed testified that I had won the audience over, and put me at ease. We fell silent. No applause, not a single sound came. Then somebody in the first row said quite audibly, "What a pair of narcistic dumbfucks!"
To detest the sin and to love the sinner: this is how we can define the practice of love as recommended by the Gospel. Clearly, this also means that the attitude of the Pharisees is wrong in as much as they identify the sinner with the sin.