When renowned film director Péter Gárdos wrote the story, he intended it as a film script, but eventually he made it into a novel. “Fever at Dawn,” the love story of two Holocaust survivors―the author’s parents―has ever since sold in more than 20 territories.
"I toyed with an idea that I – as a decent Christian – never entertained before: what if the central signifier of all the metaphors and concepts of Christianity was not a beautiful, young, healthy but tortured male body... but a female body." - An interview from 2011 with the recently deceased poet, Szilárd Borbély.
"Not that I have any knowledge of what evil is, not at all, / I haven’t a clue about the way the oak leaves are stuck in its flesh, / the way rough strings are looped around its hind legs and it is hung / on the rotten roof-beam of the shed dug deep in the ground, / it could be the corpse of a dog, a rabbit, or a fox, I can’t tell"
Halász' theatre was a non-imitational one. He never wanted, nor was he able, to pretend that he is someone else but himself. His theatre was born out of an inner freedom, not hard work, not something that can be regulated, rehearsed and repeated.