Ervin Lázár is the creator of a genre we may safely call
Central European folk surrealism, which takes on the quality of a
hallucinatory exploration into that part of the soul where beauty, hope,
and yearning live in close proximity with the harsh realities of life.
The stories in this collection, set in various locations from various European cities to a Hungarian village in Romania, are interconnected through the theme of love, lack of love and relations between men and women.
"None of the hysterics and blue funk whether my water’s gonna hold out, and with the groom whispering, even at the church door, you better say no, you bra buster bitch, if you value your life. None of that, love, no! They’re standing there like a pair of lovebirds, all blatant marzipan head to foot, and the three of them weighing in at a hundred pounds if one, cross my heart and hope to die."
The plot of Casemates is based on the darkest moment of the 1956 Hungarian Revolution: the siege of the Communist Party Headquarters in Budapest. With the 50th anniversary of the revolution well nigh, this is no one's idea of a flattering, commemorative play. Rather, it is an excoriating piece of provocation.