When renowned film director Péter Gárdos wrote the story, he intended it as a film script, but eventually he made it into a novel. “Fever at Dawn,” the love story of two Holocaust survivors―the author’s parents―has ever since sold in more than 20 territories.
How can one, in spite of all the doubts and technical obstacles, tell the story of someone growing up in Budapest and its surroundings during the 60s and the 70s? How can one create a classically structured story with the help of modern and even postmodern techniques?
"Bukovina is everything and nothing. A place of many colors, many nationalities. Barren and fleeing, emptied of content. When you look at it, you see something, but there’s nothing there. Zero, point of origin. The center of the periphery. Central Europe’s unknown center. On the most remote point of the world stands a city."
It’s a fact: in summer, people go on holiday. Why? Because the sun is shining; it’s hot; work is scarce; or the family is together, and everybody is fed up with Budapest – where we all love living, if it weren’t for the concrete soaking in the heat, the streets stinking of dog shit and other decomposing biological waste.