Ervin Lázár is the creator of a genre we may safely call
Central European folk surrealism, which takes on the quality of a
hallucinatory exploration into that part of the soul where beauty, hope,
and yearning live in close proximity with the harsh realities of life.
Our interview with Tomas Venclova, Lithuanian poet, essayist and
professor of literature at Yale University, on social and historical
parallels between Eastern European nations, on the notion of home and on
the special meaning of Hamlet in our region.
"'You’re like a god,' Lajos Herda patted him on the back, then began explaining that there are these rocks on the belt, the way there are people on the earth, and Géza sits above it, the way God sits in heaven, and that, as a matter of fact, he, Géza, is the god of the rocks."
After a certain number of performances, a production takes on a life of its own, and the critic is unable to review it as an isolated night of entertainment. It has become a continuum, an institution, evolving over time as a living creature would. Such is the case with Zoltán Egressy's two plays.