When renowned film director Péter Gárdos wrote the story, he intended it as a film script, but eventually he made it into a novel. “Fever at Dawn,” the love story of two Holocaust survivors―the author’s parents―has ever since sold in more than 20 territories.
A dazzling collage of styles that evokes the tremendous heterogeneity of the contemporary cultural landscape of Central Europe, The Last Window-Giraffe is a foray into the common heritage and current aspirations shared by the people of this elusive yet ineluctable region.
Literary historian Thomas Cooper talks to Imre Kertész in this new
volume published in the Seagull Books series of The University of
Chicago Press. An excerpt from the interview and Cooper's fine
introductory essay, published here by courtesy of the publisher.
Today in Hungary any intellectual who feels
responsible for the community and tries to mediate, faces serious
difficulties. If someone wants to write about public issues and social
questions, independently and in an unbiased way, they could easily be
forced into a strict dichotomy and mindless political logic. A kind of
courage is needed, therefore, in order to speak up, because each word
could touch a nerve.