Ervin Lázár is the creator of a genre we may safely call
Central European folk surrealism, which takes on the quality of a
hallucinatory exploration into that part of the soul where beauty, hope,
and yearning live in close proximity with the harsh realities of life.
Oravecz records the history of the disintegration of rural culture as though he was retelling the myth of Atlantis. The Ditch of Ondrok is a three-generation story taking place in a Hungarian village, spanning from a grandfather who had fought in the liberation war of 1848 to a grandson who had emigrated to America just before the turn of the century.
"...if you’re Hispanic you’re not expected to be clever, but interesting and exotic." – The Catalan philosopher Xavier Rubert de Ventós was the guest of his Hungarian publisher Typotex and the Cervantes Institute in Budapest on the occasion of the Hungarian release of his book Por que filosofia?
"I want to see the bodies. As I come to the fence, I jiggle the latch. From where I’m standing, I can see that a few of the legless bodies scattered in the grass are still moving, even though an entire endless night had passed."
Halász' theatre was a non-imitational one. He never wanted, nor was he able, to pretend that he is someone else but himself. His theatre was born out of an inner freedom, not hard work, not something that can be regulated, rehearsed and repeated.