Ervin Lázár is the creator of a genre we may safely call
Central European folk surrealism, which takes on the quality of a
hallucinatory exploration into that part of the soul where beauty, hope,
and yearning live in close proximity with the harsh realities of life.
The Spanish Bride depicts the way in which young girls' dreams turn sour, female ambitions for 'a decent life' founder and the foul destruction of amorous illusions goes past the bounds of parody and fades into bitter, grotesque tragedy.
"I am not a pessimistic guy. If I was pessimistic, I would never even have started to make films. I hope that these films will be watched in twenty, thirty or forty years, and I think this is as optimistic as you can get in today’s world."
"From between the creases of fabric / gapes / a face, like the countenance of Europe scorned. / It spits / into the distance, but does not speak. It reflects, / like thought itself. Above, the floodlit city / looks to a new epoch. The escalator / rises into the heights, and creates correspondences, / like a metaphor degraded in the course of time / into a simile. The mind listens."