Ervin Lázár is the creator of a genre we may safely call
Central European folk surrealism, which takes on the quality of a
hallucinatory exploration into that part of the soul where beauty, hope,
and yearning live in close proximity with the harsh realities of life.
In prose, especially fiction, Arte Povera is a tough style to sell. Iván Mándy’s late work, quintessentialized by the novella Left Behind, shares qualities with not only Arte Povera but also with the beatup Baluch nomad prayer rug you hang on your wall after giving it a good wash and overcasting its edges with brown wool. Treasures found in the dust, dusted off, begin to shine in the thoughtful beholder’s eye.
"If this was her fate, why rebel? It couldn’t get any better, only worse" – an excerpt from Hanele, a short novel about an ugly, miserable Jewish orphan girl in a pre-World War II shtetl. The book, rich in ethnographic detail and betraying strong empathy for the outcast, was written by the polymath writer and composer György Láng.