Ervin Lázár is the creator of a genre we may safely call
Central European folk surrealism, which takes on the quality of a
hallucinatory exploration into that part of the soul where beauty, hope,
and yearning live in close proximity with the harsh realities of life.
The last few years have been abundant in books specializing in understanding and interpreting the attributes and the behaviour of Hungarians. János Lackfi experiments with well-known elements that have been on the periodic table of Hungarians for decades, and tries to create a new and interesting compound.
"The society, it seems to me, invented the Kádár era long before Kádár
and company realized this. The tragic fact is that many people were
executed in order to intimidate the society when all the regime should
have done is to make a compromise." - We talked to György Spiró, the author of Spring Collection, about 1956 and the power games of the early Kádár era.
I should at first point out that in the two or three years previous, the blows of fate (drought, earthquake, floods) had followed each other in rapid succession. At that time, my father was still an active dancer at the Opera, although it was growing ever harder for him to lift his partners.
Is there anything more exasperating than understanding that we all participate in the same dance of death? Perpetrators and victims, givers and receivers of prizes, Jews and non-Jews, anti-Semites and philo-Semites, irrespective of culture and skin colour.