Ervin Lázár is the creator of a genre we may safely call
Central European folk surrealism, which takes on the quality of a
hallucinatory exploration into that part of the soul where beauty, hope,
and yearning live in close proximity with the harsh realities of life.
In Géza Ottlik’s sparse oeuvre the posthumously published "novel" Buda claims a most special place. Appearing three years after the author’s death, Buda was not quite the long-awaited sequel to School at the Frontier (1959), his only other novel, considered by many as his major work. Yet Buda, fragmentary as it stands, is far more than a sequel. Buda stands free, an arbor vitae, Ottlik’s true monument.
"The society, it seems to me, invented the Kádár era long before Kádár
and company realized this. The tragic fact is that many people were
executed in order to intimidate the society when all the regime should
have done is to make a compromise." - We talked to György Spiró, the author of Spring Collection, about 1956 and the power games of the early Kádár era.
Sándor Weöres wrote
many poems for children, and many more that sound like children's poems
but are equally appreciated by adults, like the one above, absurd and
nonsensical, playful and innocent in tone, yet deadly serious.
Start to plan your summer vacation ahead! HLO is trying to help you choose by bringing you the history of one of the most colourful festivals in Europe, told by a musician/journalist who was there right from the outset.