When renowned film director Péter Gárdos wrote the story, he intended it as a film script, but eventually he made it into a novel. “Fever at Dawn,” the love story of two Holocaust survivors―the author’s parents―has ever since sold in more than 20 territories.
Looking back from 2011 one sometimes has the feeling that the whole
Hungary of the late Kádár era consisted of nothing but hidden nooks
and crannies. From the perspective of these hideouts people had the
impression that really important things always happened elsewhere and at
other times—perhaps in 1956, perhaps in Moscow.
Captivity was a conscious emigration into the great events of a great era. Our world here, the world we were socialised into, is a small and shabby world. Being part of a small nation is usually not favourable for great prose and drama.
Gábor T. Szántó (1966) belongs to the third generation of postwar Jewish Hungarian writers, who came of age after the period of silence about Jewishness that characterized the experience of their parents' generation.
Writer-director-actor Béla Pintér occupies a unique role as impressario in Budapest's alternative theatre scene. His signature blend of music and movement, traditional and modern theatre techniques makes each of his one-act shows an unpredictable and memorable experience.