When renowned film director Péter Gárdos wrote the story, he intended it as a film script, but eventually he made it into a novel. “Fever at Dawn,” the love story of two Holocaust survivors―the author’s parents―has ever since sold in more than 20 territories.
Similar to the character of Gyuri Köves in Imre Kertész’s Fatelessness, Gyuri Azarel is a young boy capable of intellectual observations far above what would normally be expected. Released from the rules and conventions that define an adult’s existence, a child can ask and say anything; in the case of Azarel, this results in a narrator who hides behind the mask of childhood in order to gain free expression.
"The society, it seems to me, invented the Kádár era long before Kádár
and company realized this. The tragic fact is that many people were
executed in order to intimidate the society when all the regime should
have done is to make a compromise." - We talked to György Spiró, the author of Spring Collection, about 1956 and the power games of the early Kádár era.
...there is one form of art that cannot become worn, that goes beyond everyday novelty, innovation. And this – in its content, the experience, its formulation, its captivating betrayal – is death. (...) It says something new to everyone, something which he has not yet come across. And this is the multiple gigabyte novelty. Unrivalled avant-garde itself.
To sell ourselves to the Western media as political refugees would have been out of style. Therefore, we wore Russian military uniforms with our punk hairdos and talked about being highly trained KGB agents sent to the free world to destroy the morals of the Western youth.