Zsigmond Móricz's Gold in the Mud is a novel that does things with words; it is a novel which deploys an inexorable naturalism and a typifying exaggeration of its characters to express a clear message – serfdom is paralyzing for the aspirational and all-devouring for the ordinary.
A wide selection of writers are rarely included in synopses of
contemporary Hungarian fiction despite being in the vanguard of the
‘quiet revolution’ of the early
Seventies and in many cases remaining highly (and rewardingly)
productive to the present day.