When renowned film director Péter Gárdos wrote the story, he intended it as a film script, but eventually he made it into a novel. “Fever at Dawn,” the love story of two Holocaust survivors―the author’s parents―has ever since sold in more than 20 territories.
Krasznahorkai’s apocalypse is an apocalypse without resolution, hence an apocalypse without end – without the literal 'catharsis' of the Christian tale of judgment and salvation. For the narrating Beast, we ourselves are the alien matter, whose removal would bring the earth itself no catharsis, only the stance of a theatre left barren and void.
Literary historian Thomas Cooper talks to Imre Kertész in this new
volume published in the Seagull Books series of The University of
Chicago Press. An excerpt from the interview and Cooper's fine
introductory essay, published here by courtesy of the publisher.
This year's Budapest Film Week, the major event of Hungarian filmmakers, was again rich in literary adaptations. A feature by director Zoltán Kamondi, Dolina, was based on Ádám Bodor's 1999 novel, The Visit of the Archbishop.