When renowned film director Péter Gárdos wrote the story, he intended it as a film script, but eventually he made it into a novel. “Fever at Dawn,” the love story of two Holocaust survivors―the author’s parents―has ever since sold in more than 20 territories.
Concepts such as the "greatness" of these works or, God forbid, a sensibility for transcendence are non-existent: the system offers them no houseroom. The outcome of all this is "fatal mediocrity." This is how László Földényi F. sees contemporary German literature.