Ervin Lázár is the creator of a genre we may safely call
Central European folk surrealism, which takes on the quality of a
hallucinatory exploration into that part of the soul where beauty, hope,
and yearning live in close proximity with the harsh realities of life.
Závada is intrigued by the question of individual and collective responsibility in the events of the twentieth century, and the narrative form he uses makes his novel a real novelty: letting different groups of narrators speak seems to be the proper form for verbalizing all the possible questions the twentieth century raised in terms of collective responsibility.
"...our definition of literary genres is in serious need of revision." – Basque author Julia Otxoa and Spanish writer Eugenio Fuentes were invited as guest authors to Budapest’s 16th Book Festival. We asked them about their own as well as each other's work.
After a certain number of performances, a production takes on a life of its own, and the critic is unable to review it as an isolated night of entertainment. It has become a continuum, an institution, evolving over time as a living creature would. Such is the case with Zoltán Egressy's two plays.