When renowned film director Péter Gárdos wrote the story, he intended it as a film script, but eventually he made it into a novel. “Fever at Dawn,” the love story of two Holocaust survivors―the author’s parents―has ever since sold in more than 20 territories.
It doesn’t take much for a classical literary work to be overlooked—what then are the chances of an overlooked classic ever being rediscovered? - Our review on Sándor Szathmári’s masterpiece Voyage to Kazohinia (1941), now published in English by New Europe Books.
Captivity was a conscious emigration into the great events of a great era. Our world here, the world we were socialised into, is a small and shabby world. Being part of a small nation is usually not favourable for great prose and drama.
"I am deadly insulted. I only look like people. This chap here who breathes in and out past my lips, he is no work of mine. I have no idea what I have to do with the whole composition. Where is my own special programme, my individual taste, my fantasy and my interest? This me? Any bellboy has the right to look like me. I have been settled. I am deeply ashamed. Me, me, me."
To detest the sin and to love the sinner: this is how we can define the practice of love as recommended by the Gospel. Clearly, this also means that the attitude of the Pharisees is wrong in as much as they identify the sinner with the sin.