Ervin Lázár is the creator of a genre we may safely call
Central European folk surrealism, which takes on the quality of a
hallucinatory exploration into that part of the soul where beauty, hope,
and yearning live in close proximity with the harsh realities of life.
“Towards the One & Only Metaphor” begins with Szentkuthy stating that he can take nothing else as his introductory precept or desire but “the aim of wild, absolute imitation.” What, then, we are compelled to ask, is being imitated?
"I insist on moving freely between categories, on keeping every door and window open. This is my notion of freedom as a writer." - Interview with Noémi Szécsi, the author of Finno-Ugrian Vampire, recently published in English.
There are only instants, got it? Instants, instants counted by telephone companies. You can’t let a single instant pass without saying yes. If you start thinking the whole thing’s damned. Nothing matters but that it should cost money. If you cost money, you exist.
The decade-old Street Music Festival features a distinctive, essential link between festival and location, performance and audience: busking. Here music is a street art, and if you aren't a musician playing or carrying an instrument, you'll probably start wishing you'd brought one along.