When renowned film director Péter Gárdos wrote the story, he intended it as a film script, but eventually he made it into a novel. “Fever at Dawn,” the love story of two Holocaust survivors―the author’s parents―has ever since sold in more than 20 territories.
Our nostalgic feeling for the piping days of peace is so insistent that
it will soon cease to have anything to do with the real story of the
Austro-Hungarian Monarchy. This nostalgia is the topic and the tone of
István Kerékgyártó’s novel, Milán Trüffel, or the Life of an Adventurer.
"I insist on moving freely between categories, on keeping every door and window open. This is my notion of freedom as a writer." - Interview with Noémi Szécsi, the author of Finno-Ugrian Vampire, recently published in English.
If you are yearning for the kind of catharsis that raises gooseflesh, then read The Splendours of Death by Szilárd Borbély. Be forewarned, however, as you are about to encounter one of the most staggering volumes to appear in recent decades. In suggestive verses of hypnotic strength, the poet erects a monument to a mother: a mother who became the victim of a savage murder.
Halász' theatre was a non-imitational one. He never wanted, nor was he able, to pretend that he is someone else but himself. His theatre was born out of an inner freedom, not hard work, not something that can be regulated, rehearsed and repeated.